We're going to start off by looking at dedicated FL Studio controllers - devices built specifically (and sometimes uniquely) for integration with FL studio. The Top 10 Best MIDI Keyboards for FL Studio: Reviews By the time you're done reading, you'll be armed with all the knowledge you need to choose the MIDI controller with the best features for your studio workflow.Īfter the reviews section, you'll find some FAQs and the origin story behind the DAW formerly known as Fruity Loops.īut for now, let's dive straight in and look at the best MIDI controllers, and how to spend your hard-earned cash with smarts. Making the bold assumption that you need only one controller for FL Studio, we're about to take a deep dive into a variety of MIDI controllers of all shapes and sizes. Like a boat without a rudder, or a guitarist without a pick, FL Studio is just half the DAW it could be if you don't have a MIDI controller at the helm of your studio. Given the reasonable price, and its lack of rivals, this is a bit of a no-brainer for longtime FL users, despite any limitations.FL Studio is a hugely popular DAW for making music in EDM, hip-hop, and other electronic-oriented genres.īut you probably knew that already, otherwise, you wouldn't be here. The ability to chain up to four units is a nice touch too, letting those who want more expansive control create a single, multi-unit control surface. These can also control basic channel and mixer parameters.įire isn’t an all-encompassing DAW controller, and has its weak points, but it’s still great to have a proper FL-focused MIDI controller. Note velocity, pitch and length, can be edited easily using the four rotaries along the top, though this isn’t labelled on Fire’s interface. This is limiting, but given the smaller pads it’d be hard to be very precise anyway. Fire’s pads are velocity sensitive, but there are only two velocity levels available - for standard or accented notes. As a result Drum mode feels cramped and doesn’t make use of much of the control surface.Ĭompared to controllers such as Push or Maschine, Fire lacks access to features like quantise settings or beat repeats/rolls, leaving Drum mode feeling a little shallow. In this mode the left-hand 4x4 block of pads is used to trigger FPC’s sample tracks, but this leaves the remaining 24 pads unused. The Fire’s pads are small, and can feel fiddly for precise playing. The finger drumming-focused Drum mode is less successful.
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